This engaging and thought-provoking exhibition was composed of more than 70 objects—paintings, sculptures, photographs, and multi-media installations—created by many of the most important African American artists working over the last 30 years. The artists ranged from well- known, established figures such as Jean-Michel Basquiat, Kerry James Marshall, and Carrie Mae Weems to emerging younger ones like Kehinde Wiley, Hank Willis Thomas, and Mickalene Thomas. Seen together, 30 Americans provided an opportunity to examine the various relationships between these artists and, ultimately, to experience a cross generational exploration of the influence of race, sexuality, history, gender, and popular culture on individual identity.

For example, Weems and the late Robert Colescott often critique the denigrated place (or entire lack thereof) of African Americans in art history, a position re-challenged in the recent grand portraits of Kehinde Wiley who bestows a sense of dignity and power to his sitters while maintaining their urban identity. Wiley has also been influenced by the realistic and culturally expressive depictions of African Americans by Barkley Hendricks. Like Hendricks’s, Wiley’s subjects are not generic types but recognizable individuals.

Other significant artists in the exhibition included Kara Walker, whose black cut-paper silhouettes initially appeared to be benign antebellum tableaux before a closer look reveals a narrative fraught with slavery, racism, and sexism, and Glenn Ligon, who borrows material from a wide array of sources, from Gertrude Stein to James Baldwin to Richard Pryor in his text-based work.

Ligon’s flickering neon sculpture America was inspired by the opening lines, “It was the best of times, it was the worst of times . . .” in Charles Dickens’s novel A Tale of Two Cities and is meant to represent the duality of a country that had elected its first African American president in 2008, the year the work was made, yet was engaged in two controversial wars and was entering a deep recession.

30 Americans was drawn from the noted Rubell Family Collection based in Miami, Florida. In describing the origins and development of the exhibition, Don and Mera Rubell state:

As the show evolved, we decided to call it 30 Americans. “Americans,” rather than “African Americans” or “Black Americans,” because nationality is a statement of fact, while racial identity is a question each artist answers in his or her own way, or not at all. And the number 30 because we acknowledge…that this show does not include everyone who could be in it.

Artists included in the exhibition
Nina Chanel Abney
John Bankston
Jean-Michel Basquiat
Mark Bradford
Iona Rozeal Brown
Nick Cave
Robert Colescott
Noah Davis
Leonardo Drew
Renée Green
David Hammons
Barkley L. Hendricks
Rashid Johnson
Glenn Ligon
Kalup Linzy
Kerry James Marshall
Rodney McMillian
Wangechi Mutu
William Pope.L
Gary Simmons
Xaviera Simmons
Lorna Simpson
Shinique Smith
Jeff Sonhouse
Henry Taylor
Hank Willis Thomas
Mickalene Thomas
Kara Walker
Carrie Mae Weems
Kehinde Wiley
Purvis Young

30 Americans was organized by the Rubell Family Collection, Miami.

Rubell Family Collection

Past Venues:
Milwaukee Art Museum
Chrysler Museum of Art, Norfolk
Corcoran Gallery of Art, Washington, D.C.
North Carolina Museum of Art, Raleigh

Exhibition gallery

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