2017 Frist Center Exhibition Schedule

NASHVILLE, Tenn. (August 10, 2016)—From a 15th-century Tibetan crowned Buddha statue to Nick Cave’s mesmerizing Soundsuits, the Frist Center for the Visual Arts’ 2017 exhibition lineup offers an outstanding range of artistic perspectives. In the Ingram Gallery, Secrets of Buddhist Art: Tibet, Japan, and Korea provides an introduction to the dazzling aesthetics of Buddhist art and fosters a basic understanding of the objects’ functions within Buddhist practice. State of the Art: Discovering American Art Now celebrates the quality and diversity of contemporary art created throughout the United States, both in major art centers and smaller cities. World War I and American Art is the first major exhibition to examine how American artists reacted to the First World War, and includes works by George Bellows, Childe Hassam, Georgia O’Keeffe, and John Singer Sargent.

The Upper-Level Galleries will feature Irving Penn: Beyond Beauty, the first retrospective of the legendary photographer’s work in nearly 20 years, with several unseen or never-exhibited photographs. Ancestral Modern: Australian Aboriginal Art from the Kaplan & Levi Collection introduces American audiences to the spectacular flourishing of Indigenous Australian painting and sculpture that has occurred since the 1970s. Organized by the Frist Center, Nick Cave: Feat. will include a dynamic selection of Cave’s celebrated Soundsuits, elaborate human-shaped sculptural forms composed of a wide variety of found and repurposed commonplace materials, as well as a projected video, several wall-mounted sculptures, and a large multimedia installation.

In the Gordon Contemporary Artists Project Gallery, the Frist Center will present U.K.-based artist Claire Morgan’s beguiling hanging installations and sculptures inspired by the complexity and fragility of organic life forms and Nashville-born Vadis Turner’s abstract, colorful, and textured hanging assemblages, which explore traditional gender roles and the value assigned to materials.

Secrets of Buddhist Art: Tibet, Japan, and Korea
February 10–May 7, 2017
Ingram Gallery

Tibet, Japan, and Korea all practice forms of esoteric or “secret” Buddhism that are explained only to initiates. The Vajrayana branch of Buddhism utilizes works of art that reveal a complex array of both human and divine figures. Organized exclusively for the Frist Center, the exhibition showcases approximately 100 works from the Newark Museum’s renowned collection that will introduce a general audience to the stunning aesthetics of Buddhist art and provide a basic understanding of these objects’ function within Buddhist practice. As part of an accompanying educational gallery and program, visitors will have the opportunity to watch Tibetan-Buddhist monks create a sand mandala painting. The painting will be on view in the galleries until the closing weekend of the exhibition, when it will be ceremonially destroyed.

This exhibition was organized by the Newark Museum.

Claire Morgan: Stop Me Feeling
February 10–May 7, 2017
Gordon Contemporary Artists Project Gallery

Born in Belfast, Northern Ireland and now living in England, Claire Morgan uses organic materials and taxidermy to create intricate sculptures, hanging installations, and works on paper that explore the impermanence, complexity, and fragility of life forms. Her interest in natural processes and the physicality of animals is seen through her works that capture both the elegance and beauty of life, but also the senselessness and shock of death. Emanating melancholy, Morgan’s works of life suspended in action portend a future of calamity and extinctions. This is her first solo exhibition in the United States.

This exhibition was organized by the Frist Center for the Visual Arts in collaboration with Galerie Karstn Greve.

Irving Penn: Beyond Beauty
February 24–May 29, 2017
Upper-Level Galleries

Irving Penn: Beyond Beauty conveys the extraordinary breadth and legacy of the work of this influential American artist, whose renown as a fashion photographer is matched by the recognition of his innovative and insightful portraits, still lifes, nudes, and travel photographs. The first retrospective of Penn’s work in nearly 20 years, the exhibition contains more than 140 photographs from the Smithsonian American Art Museum’s collection, including the debut of 100 photographs recently donated by The Irving Penn Foundation and several previously unseen or never-exhibited photographs. The exhibition features work from all stages of Penn’s career, including street scenes from the late 1930s, photographs of the American South from the early 1940s, celebrity portraits, fashion photographs, and more intimate studio images. Highlights of the exhibition include Penn’s stunning late color work.

Irving Penn: Beyond Beauty is organized by the Smithsonian American Art Museum with generous support from ART MENTOR FOUNDATION LUCERNE, Sakurako and William Fisher, The William R. Kenan Jr. Endowment Fund, The Lauder Foundation—Leonard and Judy Lauder Fund, Edward Lenkin and Roselin Atzwanger, The Robert Mapplethorpe Foundation, Margery and Edgar Masinter, The Margery and Edgar Masinter Exhibitions Fund, the James F. Petersen Charitable Fund in honor of Tania and Tom Evans, The Bernie Stadiem Endowment Fund, and the Trellis Fund. The C. F. Foundation in Atlanta supports the museum’s traveling exhibition program, Treasures to Go.

Pattern Recognition: Art and Music Videos from Middle Tennessee
April 29–October 8, 2017
Conte Community Arts Gallery

Bringing together experimental videos and digital photographs by artists working in the Middle Tennessee region, Pattern Recognition explores the expressive potential of digital media. In animated landscapes, geometrical compositions, and other invented scenarios, the videos show natural and computer-generated patterns that weave, ripple, and flow in alluring ways. In their experimental works, artists McLean Fahnestock, Morgan Higby-Flowers, Joon Sung, and John Warren all manipulate viewers’ sense of time and space and resist traditional notions of linear storytelling. Each artist employs slow pacing, fluid transitions between recognizable and abstract imagery, and sound to induce feelings of reverie, pleasure, and mystery.
This exhibition was organized by the Frist Center for the Visual Arts.

State of the Art: Discovering American Art Now
May 26–September 10, 2017
Ingram Gallery

State of the Art celebrates the quality and diversity of contemporary art created throughout the United States, both in major art centers and smaller cities and communities across the country. The exhibition debuted at Crystal Bridges Museum of American Art in 2014 after the museum’s curatorial team traveled more than 100,000 miles, crisscrossing the United States to visit nearly 1,000 artists. This exhibition features 45 artists, including John Douglas Powers from Tennessee. Working in mediums ranging from paint and canvas to video, these artists provide a view from the ground of a wide range of subjects of importance to the people of this country: the impact of history on identity, challenges relating to race and immigration, the importance of family and community, and the protection of the natural environment.

This exhibition was organized by Crystal Bridges Museum of American Art in Bentonville, Arkansas.

Vadis Turner: Tempest
May 26–September 10, 2017
Gordon Contemporary Artists Project Gallery

Nashville-born artist Vadis Turner moved back to Middle Tennessee in 2014 after living in Boston and New York for many years. In her work, she transforms commonplace objects associated with women, such as ribbons and bedding, into bold, textured assemblages that assert the value of female experiences, especially rites of passage. She is interested in challenging conventional gender roles and inspired by the history of women’s creative production, and strives to bring visibility to the often-overlooked handiwork of women in the past while simultaneously pushing this legacy forward. Vadis Turner: Tempest presents objects surrounding three potential phases of a woman’s life: the young Wild Woman, the Mother, and the Elder.

This exhibition was organized by the Frist Center for the Visual Arts.

Ancestral Modern: Australian Aboriginal Art from the Kaplan & Levi Collection
June 23–October 15, 2017
Upper-Level Galleries

Ancestral Modern: Australian Aboriginal Art from the Kaplan & Levi Collection explores the spectacular flourishing of Indigenous Australian painting and sculpture that has occurred since the 1970s. It presents approximately fifty artworks, including paintings on bark strips, hollow logs, and canvases, in addition to a small selection of sculptures. In many cases, artists have translated motifs from traditional art forms, such as rock and body painting, to media that can be more easily shared with viewers around the world.

In the late 1960s, decades of grassroots activism in Australia culminated in political changes that brought increased power and visibility to Aboriginal peoples. The years that followed marked the start of an artistic renaissance, fueled both by the end of government policies that demanded assimilation into white society and by the growing desire of Aboriginal artists to share their ancient culture with the wider world. The collection built by Robert Kaplan and Margaret Levi was developed over many years of travel and research and is one of the finest collections of Australian Aboriginal art in the United States.

This exhibition is organized by the American Federation of Arts and the Seattle Art Museum. It was made possible by the generosity of Mrs. Donald M. Cox, the Wolfensohn Family Foundation, and an anonymous donor.

World War I and American Art
October 6, 2017–January 21, 2018
Ingram Gallery

World War I and American Art is the first major exhibition to examine ways in which American artists reacted to the First World War, which happened while modernist art was being digested, adapted, and transformed by the American art world. Images made during the war reveal American artists in transition, using more experimental forms to capture the apocalyptic tenor of the conflict while also drawing on a straightforward realist manner to make the human experience accessible to their audience. George Bellows, Marsden Hartley, Childe Hassam, Georgia O’Keeffe, and John Singer Sargent are among the more than fifty artists in this exhibition whose responses to and experiences in the Great War are explored. Mirroring the historical unfolding of the war itself, the exhibition’s organization first shows how artists interpreted the threat of war and the debate to enter it, and then how World War I involved them directly as soldiers, relief workers, political dissenters, and official artists.

The exhibition includes many high-profile loans, including most importantly Sargent’s Gassed from the Imperial War Museums, London, which has not been seen in the United States since 1999.

This exhibition was organized by the Pennsylvania Academy of the Fine Arts.

Extrasensory
October 13, 2017–February 25, 2018
Conte Community Arts Gallery

Inspired by the dynamism and multisensory engagement of Nick Cave’s work, this companion exhibition to Nick Cave: Feat. features art made by members of the Middle Tennessee community. Local teaching artists led open workshops for community members of all abilities and learning styles to collaborate on creating works of art, each engaging the five senses through tactile responses by visitors. The artworks address themes of dreaming, transformation, and creative expression while highlighting various aspects of Cave’s work. Partner organizations for this program were Empower TN, Tennessee Disability Coalition, and VSA Tennessee: The State Organization on Arts and Disability.

This exhibition was organized by the Frist Center for the Visual Arts.

Nick Cave: Feat.
November 10, 2017–April 1, 2018
Upper-Level Galleries

Chicago-based artist Nick Cave (b. 1959) is best known for his elaborate “soundsuits,” human-shaped sculptural forms composed of a wide variety of found and repurposed commonplace materials. This dynamic exhibition will include a selection of soundsuits, as well as a projected video, several wall-mounted sculptures, and a large multimedia installation. The works are accessible to audiences of all ages and socioeconomic backgrounds, yet on a deeper level speak to issues of racial and social justice and the need for more time and space in contemporary society to cultivate individual dreams and aspirations.

This exhibition was organized by the Frist Center for the Visual Arts.

Sponsor Acknowledgment
The Frist Center for the Visual Arts is supported in part by the Metro Nashville Arts Commission, the Tennessee Arts Commission, and the National Endowment for the Arts.

FRIST CENTER MEDIA CONTACTS

Buddy Kite: 615.744.3351, ”
Ellen Jones Pryor: 615.243.1311, ”

High-Resolution Images Available

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About the Frist Center
Accredited by the American Alliance of Museums, the Frist Center for the Visual Arts is a 501(c)(3) nonprofit art exhibition center dedicated to presenting and originating high-quality exhibitions with related educational programs and community outreach activities. Located at 919 Broadway in downtown Nashville, Tenn., the Frist Center offers the finest visual art from local, regional, national, and international sources in a program of changing exhibitions that inspire people through art to look at their world in new ways. The Frist Center’s Martin ArtQuest Gallery features interactive stations relating to Frist Center exhibitions. Information on accessibility may be found at fristcenter.org/accessibility. Gallery admission is free for visitors 18 and younger and to members; $12 for adults; $9 for seniors and college students with ID; and $7 for active military. College students are admitted free Thursday and Friday evenings (with the exception of Frist Fridays), 5:00–9:00 p.m. Discounts are offered for groups of 10 or more with advance reservations by calling 615.744.3247. The galleries, café, and gift shop are open seven days a week: Mondays through Wednesdays, and Saturdays, 10:00 a.m.–5:30 p.m.; Thursdays and Fridays, 10:00 a.m.–9:00 p.m.; and Sundays, 1:00–5:30 p.m., with the café opening at noon. Additional information is available by calling 615.244.3340 or by visiting fristcenter.org.

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