Beatrix Potter: Drawn to Nature
April 7–September 17, 2023

NASHVILLE, Tenn. (February 16, 2023)—The Frist Art Museum presents Beatrix Potter: Drawn to Nature, the first exhibition to tell the broader life story of the beloved English author and illustrator. Organized by London’s Victoria and Albert Museum—home to the world’s largest collection of Potter’s artworks—the exhibition will be on view in the Frist’s Upper-Level Galleries from April 7 through September 17, 2023.

In the classic children’s storybook The Tale of Peter Rabbit, first self-published in London in 1901, and 22 other children’s books, Potter imagined an enchanting world of animals and gardens. She became one of the most successful author-illustrators of the 20th century and also defied expectations for women of her time by engaging in scientific studies, farming, and land conservation.

Presented in a playful and colorful family-friendly installation, Drawn to Nature features rarely seen objects, including personal letters, photographs, books, diaries, decorative arts, sketches, and watercolors that explore the inspirations behind Potter’s stories and characters. The engaging in-gallery interpretation text includes special labels designed for children. Two cozy carpeted areas in the galleries—one with oversized flowerpots and another with giant spools of thread for seats—invite guests to read Potter’s stories surrounded by her drawings and watercolors.

The presentation at the Frist is complemented by experiential learning activities in the Martin ArtQuest® Gallery, including writing illustrated letters, drawing objects found in gardens, playing in a puppet theater, and creating animations with flora and fauna.

Based on scholarship about Potter’s life and work, the exhibition reveals that her books emerged from her passion for nature and were just one of her major legacies. “From storyteller to natural scientist and conservationist, Beatrix Potter lived a truly remarkable and multifaceted life,” says Frist Art Museum senior curator Trinita Kennedy. “Through interactive features, video, and engaging prompts in every gallery, this exhibition invites guests of all ages to explore the full breadth of Potter’s work and life.

Born in 1866, Helen Beatrix Potter lived in the same London town house until she was 47 years old. She and her younger brother kept dozens of pets, including rabbits named Benjamin and Peter, bats, birds, lizards, mice, snakes, a dog named Spot, and a hedgehog named Mrs. Tiggy, which would inspire Potter’s art and storytelling. “Potter was educated at home by governesses and was encouraged to draw, paint, and study natural history through books, museum visits, and direct observation,” writes Kennedy. “She collected fossils, insects, plants, and rocks, and used a microscope to make hundreds of detailed drawings of her specimens. Around the age of twenty, Potter developed a special interest in mycology, the study of fungi. She might have pursued a career as a professional scientist, had more pathways been open to women in the 19th century.”

Beatrix Potter. Magnified studies of a ground beetle (Carabus nemoralis), 1887. Watercolor, ink, and pencil on paper; 14 1/2 x 10 1/2 in. V&A: Linder Bequest BP.257. © Victoria and Albert Museum, London, courtesy of Frederick Warne & Co. Ltd.

Before her literary career began, Potter created and sold greeting cards, the first of which featured her own pet rabbit Benjamin. She was also in the practice of writing entertaining letters to children that were embellished with drawings, and in her mid-thirties, she turned some of her letters into books. By the time she found a suitable publisher for her stories, Frederick Warne & Co. (today an imprint of Penguin Random House), in 1902, Potter had enough ideas that she released approximately two books a year until 1913. “She took great interest in all aspects of the design of her books, including the cover art, typefaces, end pages, and format,” writes Kennedy. “She was even particular about their size. Always attuned to her audience, she wanted small books for little hands.”

The Tale of Peter Rabbit has never been out of print since it was first published by Frederick Warne & Co. in 1902 and has sold more than 46 million copies globally. Today, more than two million of her “little books” are sold every year, while Peter Rabbit has appeared on books and merchandise in more than 110 countries.

Using royalties from her first books, she purchased the thirty-four-acre Hill Top Farm in the Lake District of northern England in 1905. The property includes a 17th-century house, an orchard, and a garden Potter nurtured. The Lake District serves as the setting for The Tale of Squirrel Nutkin, The Tale of Tom Kitten, and The Tale of Mrs. Tiggy Winkle. Peter Rabbit is a recurring character in some of her animal fables.

As part of her efforts to preserve the natural beauty and agricultural way of life in the Lake District, Potter acquired more property there. Between 1913 and 1930, she published only four books and turned her attention to rural pursuits. When she died at age 77 in 1943, she left Britain’s National Trust over four thousand acres and fourteen working farms—the largest bequest the charity had ever received. Today, her farms remain in operation, and Herdwick sheep, an ancient breed she helped to thrive, still graze in the hills and valleys of the Lake District.

“We hope this exhibition will inspire natural scientists, conservationists, and farmers as well as artists and storytellers,” says Annemarie Bilclough, Frederick Warne Curator of Illustration at the V&A. “Potter’s story shows that through talent, passion, and perseverance, life can take unexpected twists and turns and great things can grow from inconsequential beginnings.”

Exhibition Catalogue

Generations of children have been captivated by the exploits of Jemima Puddle-Duck, Squirrel Nutkin, Peter Rabbit and the host of other characters conjured up by Beatrix Potter. Packed with original artwork, Beatrix Potter: Drawn to Nature looks at secrets to her success and celebrates her wider life and legacy—her passions and accomplishments—that stretch far beyond the pages of her storybooks.

Charting her life from her childhood in South Kensington, London, to her later years in the Lake District, Annemarie Bilclough and Emma Laws show how Potter’s exceptional affinity with nature from an early age ensured the success of her stories—underneath the costumes were real, believable, animals. Sara Glenn highlights Potter’s entrepreneurial talents while Lucy Shaw takes readers on a Victorian holiday. Contributions from Richard Fortey and James Rebanks reveal her work in the field of mycology and transformation into a farmer, and Liz Hunter MacFarlane discusses her profound impact on the preservation of the Lake District landscape. Naturalist, creative pioneer, storyteller, determined entrepreneur—Potter has been described as “a many-sided genius” and Beatrix Potter: Drawn to Nature allows readers a tantalizing glimpse into the life of this extraordinary woman. V&A Publishing. $45 retail. Available in the Frist Art Museum Gift Shop.


Thursday, April 6                                          
Curator’s Perspective Beatrix Potter: Drawn to Nature
6:30–7:30 p.m.                                             
Free; first come, first seated

Presented by Annemarie Bilclough, Frederick Warne Curator of Illustration, V&A

Join Annemarie Bilclough, curator of Beatrix Potter: Drawn to Nature, as she discusses the development of this fascinating new exhibition that explores the life of the beloved children’s author, the places and animals which inspired her stories, and her background as a scientist and conservationist.

Annemarie Bilclough has worked at the V&A for more than twenty years on a variety of projects, from exhibitions on art deco and arts and crafts to small displays on art inspired by maps and botanical illustration. She contributed work on medieval prints for the V&A’s Medieval and Renaissance galleries and on Rembrandt for the Europe 1600–1800 galleries and was co-curator of the 2017 exhibition Winnie-the-Pooh: Exploring a Classic. Most recently she co-curated the display Making an Impression: The Art of Relief Printmaking (2019–20) and the Creating Alice section of the 2021 exhibition Alice: Curiouser and Curiouser. She curated Beatrix Potter: Drawn to Nature in partnership with the National Trust.

Thursday, May 11                                        
Lecture: Beatrix Potter’s Gardening Life Presented by Marta McDowell
6:30–7:30 p.m.                                             
Free; first come, first seated

When we think of Beatrix Potter, we imagine blue-jacketed bunnies and other cute animals. But Potter, an intriguing character in her own right, was also quite interested in plants. Join historian Marta McDowell for an exploration of Potter’s botanical art, the flora and horticulture that appears in her “little books,” and her gardening and conservation efforts in England’s Lake District.

Marta McDowell teaches landscape history and horticulture at the New York Botanical Garden and consults for private clients and public gardens. Her latest book is UnearthingThe Secret Garden,” which investigates the inspiration for the classic children’s book. McDowell’s new book about garden themes in crime fiction, Gardening Can Be Murder, will be published by Timber Press in September. Timber Press also published Emily Dickinson’s Gardening Life, The World of Laura Ingalls Wilder, New York Times-bestselling All the Presidents’ Gardens, and Beatrix Potter’s Gardening Life, now in its ninth printing. McDowell was the 2019 recipient of the Garden Club of America’s Sarah Chapman Francis Medal for outstanding literary achievement.

Exhibition Credit

Created by the V&A – touring the world

Image Credits

1. Beatrix Potter. Variant artwork for The Tale of Peter Rabbit, 1902–7. Watercolor, ink, and pencil on paper; 5 6/8 x 3 7/8 in. V&A: Linder Bequest BP.468. © Victoria and Albert Museum, London, courtesy of Frederick Warne & Co. Ltd.

2. Rupert Potter. Beatrix Potter aged 15 with the family’s spaniel, Spot, ca. 1881. Albumen print on paper; 8 x 1/2 in. V&A: Linder Bequest BP.1425. © Victoria and Albert Museum, London, courtesy of Frederick Warne & Co. Ltd.

3. Beatrix Potter. Spring, Harescombe Grange, Gloucestershire, ca. 1903. Watercolor and ink on paper; 11 1/2 x 9 in. V&A: Linder Collection LC 4/A/1, given by the Linder Collection. © Victoria and Albert Museum, London, courtesy of Frederick Warne & Co. Ltd.

Supporter Acknowledgment

Supported in part by the Sandra Schatten Foundation

The Frist Art Museum is supported in part by The Frist Foundation, Metro Arts, the Tennessee Arts Commission, and the National Endowment for the Arts.

Connect with us @FristArtMuseum #TheFrist #FristBeatrixPotter

About Peter Rabbitand Beatrix Potter

The Tale of Peter Rabbit is one of the world’s best-loved children’s books and was created by author and illustrator, Beatrix Potter in 1902. The story has never been out of print since it was first published by Frederick Warne & Co. (today an imprint of Penguin Random House) and has sold in excess of 46 million copies worldwide. Today over 2 million of her ‘little books’ are sold globally every year, whilst Peter Rabbit has appeared on books and merchandise in more than 110 countries throughout the world. 

Penguin Random House Children’s is committed to growing and protecting The Peter Rabbit™ brand.  The World of Beatrix Potter™, one of the world’s largest literature-based licensing programs, is managed in-house by Penguin Ventures.

PETER RABBIT™ © Frederick Warne & Co. 2023. PETER RABBIT and BEATRIX POTTER are trademarks of Frederick Warne & Co., a Penguin Random House Company.  All rights reserved.

Buddy Kite: 615.744.3351,
Ellen Jones Pryor: 615.243.1311,

Please consider supporting the Frist Art Museum with a donation. Your gift is essential to our mission of serving the community through the arts and art access in particular. We truly appreciate your generosity.