This exhibition showcases the incisive and still-timely work of Nashville-based artist Barbara Bullock (1949−1996). Bullock moved to Nashville in 1969 after being raised by her aunt and uncle in Buffalo, New York, and studied art at George Peabody College for Teachers (now a part of Vanderbilt University). Fifteen years later, after suffering a debilitating stroke at the age of thirty-five, Bullock returned to full-time art making as part of her physical recovery.

At that time, Bullock’s style shifted considerably from precisely rendered graphite illustrations to boldly colored paintings that defy realistic spatial construction, influenced by both the double vison caused by her stroke and the work of M. C. Escher.

While Bullock used her art practice to help heal her double vision and restore her fine motor skills, she maintained that her ultimate goal was to help heal the world of social inequalities. Shaped by her own lived experiences, her work critiqued systemic racism, sexism, and classism. In particular, Bullock offered satirical commentary on societal norms projected onto Black women born into upper-class families.

Bullock passed away in 1996, but the imprint she left on the Nashville art community lives on in her network of close friends and colleagues, some of whom are featured in the adjacent exhibition, In Her Place: Nashville Artists in the Twenty-First Century. Many continue to see her as a griot, a West African term for a storyteller, and her works continue to be relevant as visual representations of both personal and collective experiences.

This exhibition is part of the 2026 Tennessee Triennial

Organized by the Frist Art Museum with guest curator Carlton Wilkinson

Image: Barbara Bullock. My Friend Gail, undated. Oil on canvas; 28 x 20 in. Collection of Gail Clemons. Photo: John Schweikert