“J.M.W. Turner: Quest for the Sublime” Makes Sole U.S. Appearance at Nashville’s Frist Art Museum

February 20–May 31, 2020

NASHVILLE, Tenn. (December 10, 2019)—The Frist Art Museum presents J.M.W. Turner: Quest for the Sublime, an exhibition of extraordinary oil paintings, luminous watercolors, and evocative sketches by Joseph Mallord William Turner (1775–1851), a central figure in the Romantic movement widely recognized as Britain’s greatest painter and among the most highly regarded landscape painters in Western art. Selected from Tate’s Turner Bequest and organized in cooperation with Tate, the exhibition will make its sole U.S. appearance in the Frist’s Ingram Gallery from February 20 through May 31, 2020.

Long admired for his ingenuity, originality, and passion, Turner strove to convey human moods and the feeling of awe aroused by nature’s immensity and power—its palpable atmospheres, pulsating energy, the drama of storms and disasters, and the transcendent effect of pure light. With approximately 75 works, the exhibition conveys highlights in the British painter’s career from the 1790s to the late 1840s, from dizzying mountain scenes and stormy seascapes to epic history paintings and mysterious views of Venice.

The Romantic movement of the late 18th- through mid-19th centuries arose in response to the Enlightenment emphasis on reason over emotion. “For Turner, psychological expression and the liberation of the imagination were of paramount importance,” says David Blayney Brown, senior curator, 19th-century British art, Tate Britain. “He achieved these goals in images of the landscape that evoked human moods by portraying extreme contrasts of intense light and gloomy clouds, dramatic topographies, and energetic brushstrokes.”

Turner portrays climatic events not only as compelling forces by themselves, but also as settings and metaphor for historical and modern dramas. “Mountains and sea show the world in motion: the glacial creep of geological change in the Alps, the sudden fall of a rock propelled by an avalanche, the changing appearance of Mont Rigi according to time and weather, the swell and heave of the sea,” says Brown. Societal and technological changes are captured as well, with images of steamships and other suggestions of industry signaling the forthcoming machine age. The exhibition also includes elemental images of sea and sky, painted late in Turner’s life, which appear nearly abstract.

The concept of the Sublime was central to Romanticism. “As industrialization progressed, people gradually began to develop a longing for the awe-inspiring power and beauty of untouched nature and natural forces. Turner was able to cater to this interest in his landscape paintings,” says Brown.

Organized thematically, the exhibition begins by examining Turner’s early aptitude at landscape painting while attending the Royal Academy Schools. Works in the section show his masterly adaptation of early influences and the first instances of what would become a lifelong habit of summer touring across Europe to make sketches and studies, which he would later make into studio paintings.

The next sections include Turner’s first impressions of the mountains, glaciers, and lakes of the Swiss Alps. “Turner’s early scenes of Switzerland and Italy are often somber or stormy in mood and coloring, reflecting a region that was as unstable politically as it was in its geology and climate,” says Brown. “In later works, he communicates a sense of rapture and harmony that may be related to the return of peace to Europe after the Napoleonic Wars.”

Other sections provide insight into Turner’s process and working methods by exploring sketchbook studies, works in progress, and watercolors at various stages of completion. The exhibition concludes with a section devoted to Turner’s fascination with the sea. “As time passes, there is a progression from a more substantial, three-dimensional style to one that is more impressionistic and less solid,” says Brown. “In these often-unfinished paintings, Turner stripped away subject and narrative to capture the pure energy of air, light, and water.”

Exhibition Credit

Organized in cooperation with Tate

Public Program

Thursday, February 20   
Curator’s Perspective presented by David Blayney Brown, senior curator, 19th-century British art, Tate Britain

6:30 p.m.     
Frist Art Museum Auditorium   
Free; first come, first seated

One of the Romantic period’s greatest artists, Joseph Mallord William Turner (1775–1851) found a corollary for human moods in nature’s atmospheres, energy, and the drama of storms and transcendent effects of light. This lecture will trace the development of his techniques and visionary ideas from the 1790s through the mid-1840s, focusing primarily on his pursuit of the Sublime—the sensation of awe and terror felt when confronted with the extreme forces of nature

Thursday, March 19   
Curator’s Tour presented by Mark Scala, chief curator

Noon       
Meet at the exhibition entrance
Free to members; admission required for not-yet-members

A Members-Only Curator’s Tour will be held on Friday, March 20, at noon.

Tuesdays, April 7, 14, and 21  
Art History Course: J.M.W. Turner and Romanticism presented by Jim Womack, art historian and retired Jackson Family Chair of Visual and Performing Arts, Montgomery Bell Academy

6:00–7:30 p.m.       
Rechter Room     
Price per class: $12 members;    
$15 not-yet-members
    
Price for the entire course: $30 members; $40 not-yet-members (you must register for all three classes at the same time using the discount code ALL3) Registration is now open for this three-part art history course on J.M.W. Turner and the Romantic movement.

Supporter Acknowledgment

Platinum Sponsor: HCA Foundation on behalf of HCA Healthcare/TriStar Health

Supporting Sponsor: Christie’s

Hospitality Sponsor: Union Station Hotel

Education and Community Engagement Supporter: Windgate Foundation

This exhibition is supported in part by the 2020 Frist Gala Patrons.

The Frist Art Museum is supported in part by the Metro Nashville Arts Commission, the Tennessee Arts Commission, and the National Endowment for the Arts.

Connect with us @FristArtMuseum

FOR ADDITIONAL INFORMATION
Buddy Kite: 615.744.3351, .(JavaScript must be enabled to view this email address)
Ellen Jones Pryor: 615.243.1311, .(JavaScript must be enabled to view this email address)

About the Frist Art Museum
Accredited by the American Alliance of Museums, the Frist Art Museum is a 501(c)(3) nonprofit art exhibition center dedicated to presenting and originating high-quality exhibitions with related educational programs and community outreach activities. Located at 919 Broadway in downtown Nashville, Tenn., the Frist Art Museum offers the finest visual art from local, regional, national, and international sources in exhibitions that inspire people through art to look at their world in new ways. The Frist Art Museum’s Martin ArtQuest Gallery features interactive stations relating to Frist Art Museum exhibitions. Information on accessibility can be found at FristArtMuseum.org/accessibility. Gallery admission is free for visitors 18 and younger and for members, $15 for adults, $10 for seniors and college students with ID, and $8 for active-duty and retired military. College students are admitted free Thursday and Friday evenings (with the exception of Frist Fridays), 5:00–9:00 p.m. Groups of 10 or more can receive discounts with advance reservations by calling 615.744.3247. The galleries, café, and gift shop are open seven days a week: Mondays through Wednesdays, and Saturdays, 10:00 a.m.–5:30 p.m.; Thursdays and Fridays, 10:00 a.m.–9:00 p.m.; and Sundays, 1:00–5:30 p.m., with the café opening at noon. For additional information, call 615.244.3340 or visit FristArtMuseum.org.

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