March 15–May 27, 2019

Dorothea Lange: Politics of Seeing

Upper-Level Galleries

  • Dorothea Lange. Migrant Mother, Nipomo, California, 1936. Gelatin silver print. The Dorothea Lange Collection, the Oakland Museum of California, gift of Paul S. Taylor

  • Paul S. Taylor. Dorothea Lange in Texas on the Plains, ca. 1935. Archival pigment print. © The Dorothea Lange Collection, the Oakland Museum of California, gift of Paul S. Taylor

  • Dorothea Lange. Crossroads General Store, Gordonton, North Carolina, 1939. Archival pigment print. © The Dorothea Lange Collection, the Oakland Museum of California, gift of Paul S. Taylor

  • Dorothea Lange. Manzanar Relocation Center, Manzanar, California, 1942. Gelatin silver print. Collection of the Oakland Museum of California, gift of Paul S. Taylor

  • Dorothea Lange. One Nation Indivisible, San Francisco, 1942. Gelatin silver print. © The Dorothea Lange Collection, the Oakland Museum of California, gift of Paul S. Taylor

  • Dorothea Lange. White Angel Breadline, San Francisco, 1933. Gelatin silver print. © The Dorothea Lange Collection, the Oakland Museum of California, gift of Paul S. Taylor

  • Dorothea Lange. Crossroad Store, Rural Georgia, 1938. Archival pigment print. © The Dorothea Lange Collection, the Oakland Museum of California, original negative gift of Paul S. Taylor

Resources

Dorothea Lange (1895–1965) is widely recognized as one of the most important documentary photographers of the twentieth century. She was a prominent advocate of the medium’s power to effect change and used her camera as a political tool to expose what she saw as injustices and inequalities. Lange was also a formidable woman of remarkable vigor and resilience. Having overcome adversity during her childhood in New Jersey, she went on to become a successful portrait photographer of San Francisco’s elite. In 1933, she took her camera to the streets for the first time to document the unemployed people—economically devastated by the Great Depression—she saw from her studio window. Later, she focused her attention on migrant farm laborers and refugees streaming into California from the Dust Bowl states in search of work. During much of this time, Lange worked for the government’s newly established Resettlement Administration (later called the Farm Security Administration), and her photographs were meant to be powerful arguments for federal assistance.

Although Lange’s photographs were taken more than fifty years ago, many of the issues they address remain relevant today: poverty, environmental degradation, treatment of immigrants, the erosion of rural communities, racial discrimination, and women’s rights. They also speak to the continuing role of visual images in shaping public opinion and political positions.

The exhibition encompasses more than 150 objects, including vintage and modern photographs, letters and a video.


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Organized by the Oakland Museum of California


Dorothea Lange: Politics of Seeing is supported in part by the Oakland Museum Women’s Board, the Henry Luce Foundation, the Susie Tompkins Buell Fund, Ann Hatch and Paul Discoe, the Robert Mapplethorpe Foundation, and Peter Rossi/Stifel, Nicolaus & Co.

 

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