February 2–May 5, 2019
Claudio Parmiggiani: Dematerialization
Gordon CAP Gallery
Claudio Parmiggiani. Untitled, 2018. Smoke and soot on board, 23 5/8 x 35 3/8 in. Private collection. © Claudio Parmiggiani. Photo © John Berens
Claudio Parmiggiani. Untitled, 2011. Harp and butterflies, 65 x 29 1/2 x 21 1/2 in. Image courtesy of the artist and Bortolami, New York. © Claudio Parmiggiani
Claudio Parmiggiani. Untitled, 2014. Smoke and soot on wood, 15 x 15 in. Image courtesy of the artist and Bortolami, New York. © Claudio Parmiggiani
Claudio Parmiggiani. Untitled, 1975. Plaster and butterfly, 10 5/8 x 18 1/4 x 11 3/8 in. Image courtesy of the artist and Bortolami, New York. © Claudio Parmiggiani. Photo: Farzad Owrang
Claudio Parmiggiani. Untitled, 1975. Plaster, wood, metal, butterflies, and pigment, 9 7/8 x 11 7/8 x 7 7/8 in. Courtesy of the artist and Bortolami, New York. © Claudio Parmiggiani. Photo: Philippe De Gobert
Claudio Parmiggiani. Untitled, 2017. Smoke and soot on board, 55 1/8 x 39 3/8 in. Image courtesy of the artist and Bortolami, New York. © Claudio Parmiggiani. Photo: John Berens
Claudio Parmiggiani makes room-size installations as well as two- and three-dimensional works that address the passage of time, mortality, absence, memory, and silence. His art stands against the grain of our frenetic, cacophonous, image-infused culture. In many of his pieces, sound is implied but unheard. In others, incongruous juxtapositions defy expectations. History is a constant muse, and absence is as significant as presence. Claudio Parmiggiani: Dematerialization is the first museum exhibition for the artist in North America. The art exhibited in this gallery rewards patience and deep attention.
ABOUT THE ARTIST
Parmiggiani was born in 1943 in Luzzara, Italy, a commune on the banks of the Po River in the region of Emilia-Romagna. From 1959 to 1961, Parmiggiani attended the Accademia di Belle Arti in Modena. During that time, he became a regular visitor to the studio of Giorgio Morandi, whose incomparable mastery of light and focus on humble subjects made a lasting impression. Marcel Duchamp and Piero Manzoni are often cited as influences. Although Parmiggiani is associated with the Arte Povera movement and conceptualism of the 1960s and 1970s, he works somewhere in between. In 1970, he devised his signature process, delocazione (displacement), inspired by contours he saw in the dust after objects had been removed. Making pictures rather than painting them, Parmiggiani arranges objects on walls, boards, or canvases, and then stokes fires burning nearby, allowing soot, dust, and pigment to settle. When the articles are removed, they leave behind silhouettes. Parmiggiani’s art is best understood in the context of its entirety. Nevertheless, this modest presentation provides insight into the artist’s consistent intentions—notably, how silence, stillness, and absence offer refuge for the viewer.
Organized by the Frist Art Museum
The Frist Art Museum gratefully acknowledges the support of
Lindsey and Howie Arnold
Haley and Clay Blevins
John and Melinda Buntin
Jennifer and Billy Frist
Bob and Julie Gordon
Frank and Gwen Gordon
Gail Gordon Jacobs
Louise and Neil Kohler
Neil Krugman and Lee Pratt
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