March 30–October 14, 2018
We Shall Overcome: Civil Rights and the Nashville Press, 1957–1968
Conte Community Arts Gallery
Demonstrators sang in front of the Nashville Police Department on August 7, 1961, protesting what they called police brutality in a racial clash two nights earlier. They criticized “inadequate” police protection and called for qualified black personnel to “replace incompetent officers on the police force.” Photo by Eldred Reaney. Courtesy of The Tennessean
Erroll Groves (center) holds the hand of his mother, Iridell Groves, as they walk to Buena Vista School on the first day of desegregation in Nashville’s public schools. September 9, 1957. Photo by Eldred Reaney. Courtesy of The Tennessean
Like a giant serpent, a line of black college demonstrators wound its way around the courthouse area, coming out from Jefferson Street and James Robertson Boulevard on April 19, 1960, the day of the Z. Alexander Looby bombing. They marched three abreast, with the line stretching across ten blocks. Photo by Eldred Reaney. Courtesy of The Tennessean
Erroll Groves (left) sat with his new classmates during class at Buena Vista School on the first day of desegregation in Nashville’s schools. Groves was one of three black children who went to the school that day. September 9, 1957. Photo by Eldred Reaney. Courtesy of The Tennessean
A white civil rights protester was dragged out of the middle of West End Avenue in front of Morrison’s Cafeteria. The mass arrests came on the third straight day of anti-segregation demonstrations. April 29, 1964. Photo by Harold Lowe Jr. Courtesy of The Tennessean
On April 27, 1964, civil rights demonstrators sat in Metro jail while waiting to make bond. From left to right: Lester McKinnie, one of the group leaders; Allen Wolfe, a Vanderbilt student; William T. Barbee, a Scarritt student; and Frederick Leonard, a Tennessee A&I student. McKinnie had been subdued by police and treated for injuries at General Hospital. Photo by Jack Corn. Courtesy of The Tennessean
On April 8, 1968, mourners got ready for a silent march from Clayborn Temple to Memphis City Hall in Memphis. From left to right: Yolanda King, Harry Belafonte, Martin Luther King III, Dexter King, Coretta Scott King, and the Reverend Ralph Abernathy, King’s successor. Rev. Jesse Jackson stands behind the widow. Photo by Bill Preston. Courtesy of The Tennessean
Silhouetted against disaster, John Thomas Martin wields his broom, sweeping up the fragments of glass from shattered windows in the Meharry Medical College alumni building. In the background, a curious crowd gathers at the bombed home of Z. Alexander Looby. The bombing of the house shattered 147 windows at the college. April 19, 1960. Photo by Joe Rudis. Courtesy of The Tennessean
On April 27, 1964, Archie Allen (left), a civil rights demonstrator, talked with employees of the Tic Toc Restaurant on Church Street in downtown Nashville. Moments later, Allen was attacked by the employees and knocked down to the sidewalk. Photo by Jack Corn. Courtesy of The Tennessean
While fellow southern cities such as Birmingham, Greensboro, and Little Rock may have been the focus of more headlines, Nashville played an important role in the civil rights movement during the late 1950s and 1960s. In addition to being the first metropolis in the southeast to integrate places of business peacefully, it was a hub for training students in nonviolent protest, many of whom became influential figures on the national stage. During an April 1960 speech at Fisk University, Dr. Martin Luther King Jr. himself said, “I came to Nashville not to bring inspiration, but to gain inspiration from the great movement that has taken place in this community.” This legacy is worthy of reexamination fifty years after King’s death, when race relations and social justice are again at the forefront of our country’s consciousness.
The fifty photographs in this exhibition were taken between 1957, the year that desegregation in public schools began, and 1968, when the National Guard was called in to surround the state capitol in the wake of King’s assassination in Memphis. Of central significance are images of lunch counter sit-ins, led by students from local historically black colleges and universities, that took place in early 1960. The photographs are sourced from the archives of Nashville’s two daily newspapers at the time: The Tennessean and the now-defunct Nashville Banner. Some were selected to be published, but many were not. This exhibition offers an opportunity to consider the role of images and the media in shaping public opinion, a relevant subject in today’s news-saturated climate.
All images generously provided by The Tennessean and the Nashville Public Library, Special Collections, which houses the Nashville Banner Archives
For their guidance with this project, we give special thanks to Andrea Blackman and Beth Odle at the Nashville Public Library, Special Collections Division; Maria De Varenne, Larry McCormack, and Ricky Rogers at The Tennessean; and Linda Wynn at Fisk University and the Tennessee Historical Commission.
Organized by the Frist Art Museum
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